World Swimsuit took Sarah Stephens to a pale beach and just let the camera stay on her. A minute and thirty-three seconds: wet dark hair, a purple bikini, a white open-mesh cover-up, and that green water behind her. She moves through the sun, then into a white one-piece, and the film closes on the World

In Robert Eggers’ The Witch, Sarah Stephens plays the witch in the red hood. The clip is 34 seconds at the mouth of a hut in the woods. The hood is up, the curls are dark, the bodice is laced, and she looks straight out of the doorway like the forest already belongs to her.

Sarah Stephens is the Australian model who makes a campaign look personal. She walked the Victoria’s Secret Fashion Show in Miami, became the face of Lacoste’s Love of Pink, fronted Seafolly, and then started acting without losing any of that poise: a turn in Solitary Man with Michael Douglas, the witch in the red hood

Lauv wrote “The Other” in the middle of a first real heartbreak, and the official video, directed by Tobias Nathan, hands that feeling to Sarah Stephens. She is the woman in the frame. The picture that stays is almost a silhouette: two profiles, a breath before a kiss, a scrap of blue light behind them.

Bonds brought Sarah Stephens back in front of their camera and then let us stay in the room. She stands against a white studio wall in peach intimates, one hand in her hair, shoulders easy, and talks through the shoot like someone who has done this a hundred times and still looks glad to be